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Titel och upphov The making of Asmat art : indigenous art in a world perspective
Utgivning, distribution etc. Sean Kingston Publishing, Canon Pyon, UK : 2012
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xiv, 249 pages illustrations (chiefly color), color map 23 cm
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 212-232) and index.
Anmärkning: Innehåll Absent presences -- The historical appearance of Asmat -- Asmat engagement with the Dutch colonial world, 1949-62 -- Museum scholars and collectors -- Anthropological missionaries and the Indonesian state -- Making carving work: development programs in the 1970s -- The Asmat Museum of Culture and Progress: the revitalization of tradition -- Consolidating new art forms -- Visual adventures -- Dazzling the anthropologists.
Anmärkning: Innehållsbeskrivning, sammanfattning "... explores the way major collections were made and examines the motivations of the collectors, their relationships with those from whom they purchased and the circumstances of the exchange. It also considers the involvement of artists and film-makers, anthropologists, representatives of the civil authorities and missionaries."--back cover.
Term Art, Asmat. Wood-carving, Asmat. Asmat (Indonesian people) Material culture. Art, Asmat. Wood-carving, Asmat. Asmat. Kunst. Plastik. Kunstmarkt. Völkerkundemuseum. Asmat (Indonesian people) Material culture.
Elektronisk adress och åtkomst (URI) C:\Users\heru\Desktop\getxinfo (3).jpg
ISBN
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*1001 $aStanley, Nick.
*24514$aThe making of Asmat art :$bindigenous art in a world perspective /$cNick Stanley.
*264 1$aCanon Pyon, UK :$bSean Kingston Publishing,$c2012
*300 $axiv, 249 pages$billustrations (chiefly color), color map$c23 cm
*336 $atext$btxt$2rdacontent
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*504 $aIncludes bibliographical references (pages 212-232) and index.
*5058 $aAbsent presences -- The historical appearance of Asmat -- Asmat engagement with the Dutch colonial world, 1949-62 -- Museum scholars and collectors -- Anthropological missionaries and the Indonesian state -- Making carving work: development programs in the 1970s -- The Asmat Museum of Culture and Progress: the revitalization of tradition -- Consolidating new art forms -- Visual adventures -- Dazzling the anthropologists.
*520 $a"... explores the way major collections were made and examines the motivations of the collectors, their relationships with those from whom they purchased and the circumstances of the exchange. It also considers the involvement of artists and film-makers, anthropologists, representatives of the civil authorities and missionaries."--back cover.
*650 0$aArt, Asmat.
*650 0$aWood-carving, Asmat.
*650 0$aAsmat (Indonesian people)$xMaterial culture.
*650 7$aArt, Asmat.$2fast
*650 7$aWood-carving, Asmat.$2fast
*650 7$aAsmat.$2gnd
*650 7$aKunst.$2gnd
*650 7$aPlastik.$2gnd
*650 7$aKunstmarkt.$2gnd
*650 7$aVölkerkundemuseum.$2gnd
*650 7$aAsmat (Indonesian people)$xMaterial culture.$2fast
*852 $bEmb$hAllmänt : Stanley
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