Hylla Utställningskataloger : Tulsa : Gilcrease Museum : 2011
Titel och upphov To capture the sun : gold of ancient Panama
Utgivning, distribution etc. Tulsa, Okla. Gilcrease Museum, ©2011
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 159 pages illustrations (some color) 26 cm
Fysiskt medium
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Foreword / Duane H. King -- Conquest, imagination, and the dawn of the modern age: the gold of Panama and its historical context / John W. Hoopes -- The shining dawn of American gold: metallurgy in ancient America / Jeffrey Quilter -- Shimmering worlds: brilliance, power, and gold in pre-Columbian Panama / Nicholas J. Saunders -- The Gilcrease Collection and Gran Coclé / Richard G. Cooke.
Anmärkning: Innehållsbeskrivning, sammanfattning "Metallurgy in gold developed into a high art form in the Gran Coclé during the centuries leading up to European contact. For indigeous people of the Americas, gold was not primarily an expression of social position or an index to commercial wealth but a luminous token of the relationship between the human and metaphysical worlds. Europeans desired the shiny metal as a route to power and riches. In the rush to acquire gold for its monetary value, they confiscated untold numbers of culturally meaningful and artfully wrought gold objects and melted them into ingots for shipment to Europe. Today only a small fraction survives of the vast stores of metallurgical artifacts encountered by the first Europeans who reached the western hemisphere. In the 1940s, Thomas Gilcrease acquired a significant collection of gold artifacts and related zoomorphic ceramic and other items from the Gran Coclé.... For Gilcrease, these objects symbolized the height of cultural achievement in the Americas before European contact"--Book jacket front flap. "To Capture the Sun: Gold of Ancient Panama explores Gilcrease Museum's unique holding of pre-Columbian gold and related ritual ceramics in the largest display of these objects since their acquisition by Thomas Gilcrease in the 1940s. The exhibition, which runs through January 15, 2012 in the Getty Gallery, showcases artifacts originally used in the ritual practices of the people of Gran Coclé [Panama]. The exhibition includes more than 200 items – gold artifacts used as personal adornments and symbols of authority for social, political, and religious elites. A portion of the exhibit examines the rise of metallurgy in the Western Hemisphere and the role that the creation and use of gold ornaments played in the complex cultural networks of early central Panama"--Thomas Gilcrease Museum website.
Kronologisk term
Term Guldsmide Guldsmedskonst Metallurgi Guld Centralamerikas indianer Indian goldwork Panama Coclé (Province) Gold Panama. Goldwork Panama. Indians of Central America Panama Coclé (Province) Antiquities. Antiquities. Gold. Goldwork. Indian goldwork. Indians of Central America Antiquities. Metallurgy Indians of Central America Goldwork
Geografiskt namn Coclé (Panama : Province) Antiquities. Panama. Panama Coclé (Province) Panama
Personnamn Cooke, Richard G. Saunders, Nicholas J. Hoopes, John W. Quilter, Jeffrey, 1949-
Institutionsnamn Thomas Gilcrease Institute of American History and Art
ISBN 9780981979908 0981979904 9780981979915 0981979912
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*504 $aIncludes bibliographical references.
*5058 $aForeword / Duane H. King -- Conquest, imagination, and the dawn of the modern age: the gold of Panama and its historical context / John W. Hoopes -- The shining dawn of American gold: metallurgy in ancient America / Jeffrey Quilter -- Shimmering worlds: brilliance, power, and gold in pre-Columbian Panama / Nicholas J. Saunders -- The Gilcrease Collection and Gran Coclé / Richard G. Cooke.
*520 $a"Metallurgy in gold developed into a high art form in the Gran Coclé during the centuries leading up to European contact. For indigeous people of the Americas, gold was not primarily an expression of social position or an index to commercial wealth but a luminous token of the relationship between the human and metaphysical worlds. Europeans desired the shiny metal as a route to power and riches. In the rush to acquire gold for its monetary value, they confiscated untold numbers of culturally meaningful and artfully wrought gold objects and melted them into ingots for shipment to Europe. Today only a small fraction survives of the vast stores of metallurgical artifacts encountered by the first Europeans who reached the western hemisphere. In the 1940s, Thomas Gilcrease acquired a significant collection of gold artifacts and related zoomorphic ceramic and other items from the Gran Coclé.... For Gilcrease, these objects symbolized the height of cultural achievement in the Americas before European contact"--Book jacket front flap.
*520 $a"To Capture the Sun: Gold of Ancient Panama explores Gilcrease Museum's unique holding of pre-Columbian gold and related ritual ceramics in the largest display of these objects since their acquisition by Thomas Gilcrease in the 1940s. The exhibition, which runs through January 15, 2012 in the Getty Gallery, showcases artifacts originally used in the ritual practices of the people of Gran Coclé [Panama]. The exhibition includes more than 200 items – gold artifacts used as personal adornments and symbols of authority for social, political, and religious elites. A portion of the exhibit examines the rise of metallurgy in the Western Hemisphere and the role that the creation and use of gold ornaments played in the complex cultural networks of early central Panama"--Thomas Gilcrease Museum website.
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*951 $6651,651,651$aRepubliken Panama$uPanama
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