Världskulturmuseernas bibliotek

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*24510$aCollecting and provenance :$ba multidisciplinary approach /$cedited by Jane Milosch and Nick Pearce.
*264 1$aLondon :$bRowman & Littlefield,$c2019
*264 4$c©2019
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*5058 $aForeword / Lynn H. Nicholas, Independent Scholar -- Preface / Richard Kurin, Smithsonian Institution -- Introduction / Nick Pearce, University of Glasgow, and Jane C. Milosch, Smithsonian Institution  -- Acknowledgements -- 1. The Provenance of Provenances / Christian Huemer, Österreichische Galerie Belvedere -- 2. Intellectual Property and Ownership History / Christel H. Force, The Metropolitan Museum of Art -- 3. Provenance Research in Museums: From the Back of the House to the Front / Jane C. Milosch and Andrea Hull, Smithsonian Provenance Research Initiative (SPRI) -- 4. Transforming Research Methodologies: The Frick Art Reference Library’s Collaborative Approach / Louisa Wood Ruby and Samantha Deutch, The Frick Art Reference Library -- 5. Digging in Digital Archives: Recovering Context for the Getty Museum’s Orpheus Mosaic / Nicole Budrovich, J. Paul Getty Museum -- 6. Exhibiting Provenance in the University Museum: A Case Study / Nancy Karrels, University of Illinois, Urbana-Champaign -- 7. Provenance in 2050 / David Newbury, J. Paul Getty Trust, and Louise Lippincott, Carnegie Museum of Art -- 8. Provenance as Palimpsest: The Mazarin Venus /´Judith Barr, J. Paul Getty Museum -- 9. Archaeology, Fakery, and Lunacy: N.S. Brown's Chinese Neolithic Collection / Nick Pearce, University of Glasgow -- 10. The Importance of Provenance in Nineteenth-Century Paris and Beyond: Four Works of Art from Prince Pierre Soltykoff’s Famed Collection of Medieval Art / Christine E. Brennan, The Metropolitan Museum of Art -- 11. The Medieval Bury Chest: Mapping the Journey from Durham Cathedral to the Burrell Collection, Glasgow / Elizabeth Hancock, University of Glasgow; Erma Hermens, Rijksmuseum; and Lindsay Gordon, Glasgow Museums  -- 12. Plunder, Dissolution, and Dodgy Dealing: The International Market for Spanish Art in the Nineteenth Century / Hilary Macartney, University of Glasgow, and Véronique Gerard Powell, Paris-Sorbonne Université -- 13. Documenting the Violin Trade in Paris: The Archives of Albert Caressa and Émile Français, 1930-1945 / Carla Shapreau, University of California, Berkeley; Jean-Philippe Échard and Christine Laloue, Musée de la musique, Paris -- 14. Twice Plundered, and Still Far from Home: Tracing Nazi-Looted Books in Minsk and Moscow / Patricia Kennedy Grimsted, Davis Center for Russian and Eurasian Studies and the Ukrainian Research Institute, Harvard University  -- 15. Lost and Found: Reestablishing Provenance for an Entire Museum Collection / Ann McMullen and Maria Galban, National Museum of the American Indian -- 16. Thomas Pattinson Yeats (1746–1782), Naturalist: Connecting Margaret Bentinck, Duchess of Portland, and William Hunter / E. Geoffrey Hancock, University of Glasgow -- 17. A Kato Mosi Kaka and Other Tongan Treasures from the United States Exploring Expedition (1838-1842) in the Smithsonian Institution / Adrienne L. Kaeppler, National Museum of Natural History -- 18. Provenance and Place in Indigenous Australia / Gaye Sculthorpe, British Museum -- 19. Pursuing Provenance: Perspectives on the Arts of Africa / Christine Mullen Kreamer, National Museum of African Art -- 20. One Object, Three Histories: Provenancing the Dromedary / Louise Lippincott, Carnegie Museum of Art -- 21. Forest Gold / Edward J. Bronikowski, Smithsonian’s National Zoological Park Conservation Biology Institute --?22. A Voyage into the Half-known: Museum Ethics in the Early Twentieth Century / Petra Winter, Staatliche Museen, and Carola Thielecke, Stiftung Preußischer Kulturbesitz -- 23. Forgotten Language of the Ledger: Signaling Ownership, Authority, and Provenance with Museum Accession Status / Joshua Gorman, National Museum of American History -- 24. The Holy Family on an Unholy Odyssey: Legal Ownership of Stolen Trophy Art / Christa Roodt, University of Glasgow -- 25. Problems, Practices, and Politics of Provenancing Objects from China’s Yuanmingyuan / Louise Tythacott, University of London -- 26. Crisis Response and Beyond: The National Gallery of Australia’s Asian Art Provenance Project and Other New Initiatives / Bronwyn Campbell, National Gallery of Australia -- 27. Antiquities Trafficking and the Provenance Problem / Donna Yates and Emiline Smith, University of Glasgow -- 28. Before, During, and After: Documenting Museum Collections in Times of Crisis and Disaster / Brian I. Daniels and Corine Wegener, Smithsonian Cultural Rescue Initiative -- Endnotes -- Index -- About the Contributors
*520  $aThe study of provenance-the history of the creation and ownership of an artefact, work of art, or specimen-provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art history and anthropology, to natural history and law, looking at periods from antiquity through the 18th century and the Holocaust era to the present, and materials from Europe and the Americas to China and the Pacific. The issues raised are wide-ranging, touching on aspects of authenticity, cultural meaning and material transformation and economic and commercial drivers, as well as collector and object biography. The book fills a gap in the study of collecting and provenance, taking the subject holistically and from multiple standpoints, better to reflect the widening interest in provenance from a range of disciplinary perspectives. This book will be a service to the field, from established scholars and museum professionals to students of collecting history, cultural heritage, and museum studies.
*650 7$aMuseisamlingar$0https://id.kb.se/term/sao/Museisamlingar$2sao
*650 7$aFöremålssamlingar$0https://id.kb.se/term/sao/F%C3%B6rem%C3%A5lssamlingar$2sao
*650 7$aAntikviteter$2sao$0https://id.kb.se/term/sao/Antikviteter
*650 7$aSamlarverksamhet$0https://id.kb.se/term/sao/Samlarverksamhet$2sao
*650 7$aMuseer$0https://id.kb.se/term/sao/Museer$2sao
*650 7$aÄgande$2sao$0https://id.kb.se/term/sao/%C3%84gande
*650 7$aKulturföremål$0https://id.kb.se/term/sao/Kulturf%C3%B6rem%C3%A5l$2sao
*650 7$aFöremål$2sao$0https://id.kb.se/term/sao/F%C3%B6rem%C3%A5l
*650 7$aProveniens$0https://id.kb.se/term/sao/Proveniens$2sao
*650 7$aKulturarvsbrott$0https://id.kb.se/term/sao/Kulturarvsbrott$2sao
*650 7$aHandel$2sao$0https://id.kb.se/term/sao/Handel
*650 0$aCultural property
*650 0$aCollectors and collecting
*650 0$aAntiques
*650 0$aCommerce$0(DLC)sh 85028901
*650 0$aCollectibles
*650 0$aMaterial culture
*650 0$amuseums
*7001 $aMilosch, Jane$4edt
*7001 $aPearce, Nick$4edt
*7102 $aSmithsonian Institution, Smithsonian Provenance Research Initiative
*852  $5Emb$bEmb$cMuseologi : Collecting
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